There are two versions of this song in the octavo. The first is a solo with a call-and-response musical dialogue in a Black gospel style between the soloist and the piano, in which improvisation is encouraged. The second is a full, a cappella choral version— for SSAATTB choir— whose jazzy harmonies are reminiscent of Duke Ellington, and which is designed to act as the finale for the larger collection, Stand by Me.
