Musical settings of these ancient texts, dating to the sixth century, have been a mainstay of Advent worship for over a millennium. Feeley’s English-language take on the seven antiphons is sophisticated, rooted in chant, organum, and early polyphony but with a 21st century harmonic sensibility. Mixed meter and independence of the three a cappella SSA vocal parts makes this octavo suitable for more advanced treble choirs. These short choral vignettes can be performed as a set, or as individual reflective pieces in liturgy throughout the season of Advent.
